Celebrating the works of American composers Robert Cogan & Pozzi escot
Celebrating the works of American composers Robert Cogan & Pozzi escot
List of Scores
Available for purchase TBD
Scores for Piano
A folio of twelve piano pieces for the young (I octaves; II fields; III fivenote sonorities; IV the whole keyboard; V harmonic resonances; VI acceleration-deceleration; VII ecstasy; VIII running; IX listening; X Bud's style; XI large sonorities; XII oppositions) 1981- 2000
For solo piano, version A, 1982; based on ALGEBRA & MORNINGS
For solo piano, version B, 1982; based on ALGEBRA & MORNINGS
For solo piano or two pianists at two pianos, version C, 2000; based on ALGEBRA & MORNINGS
A folio for two pianists, one improvising, one pre-notated (the pre-notated part is available in a recording, and can be so performed; a special fee is charged); 1985
For two pianos and two electric pianos (a rearrangement of the Balinese original) 1983
A folio for two pianists, one improvising, one pre-notated (the pre-notated part is available in a recording, and can be so performed; a special fee is charged); 1985
Improvisation for piano solo based on STELLAR PULSATIONS, whose score and/or recording are required; 1987
For solo piano, 1961
A folio for solo piano (requires two keyboards, prepared & unprepared); 1987
Scores for Organ
For organ and pre- recorded sounds (recording of the prerecorded sounds is available; a special fee is charged); 1973
Scores for Voice
For voice and piano; 1998
For voice and piano; 1998
For voice and piano; 1998
Versions are available for one voice unaccompanied, for two voices unaccompanied, and for one or two voices with three-five Instruments; the score includes a vocal phrasebook and specifications for all of these versions); 1967
An open-ended folio for two solo voices based on UTTERANCES (can be performed by two live solo voices, same range, or by one pre-recorded and one live solo voice, same range; additionally requires scores of Versions A & B of UTTERANCES); 1989 -
An open-ended folio for solo voice. High voice: Versions A & B. Version A, when performed solo, is reserved for by Joan Heller for whom it was composed, as long as she is singing; Version B can be sung by anyone. Low voice: Versions C and D. 1971-Each version
For two solo voices and forty-four instruments, includes a Vocal Phrasebook, Map of Pitch Structures, and book of Performance Notes; 1967
For two solo voices and fifteen instruments; same material as for WHIRL...DS I; 1967
For two amplified solo voices and slide projections (projections optional - the composer's original projections, two streams of slides, are available on rental at an extra fee); 1969
For chorus of any size and makeup, two conductors, with slide projections, optional - same score and projections as WHIRL...DS II; 1969
Instruction book for combinations of WHIRL...DS I & WHIRL...DS II; in preparation
For mixed chorus with two solo sopranos, and single oboe, clarinet, bassoon, and cello
A folio for solo violin with text by William Carlos Williams; 1999-both of the following volumes are required - Source Folio
An open-ended folio for viola and piano, including a Sample Performance Version; 1989-
An open-ended folio for solo clarinet, including a Sample Performance Version; 1988-
An open-ended folio for clarinet, viola, and piano, combining EVENTS DANCING and FIERCE SINGLENESS; 1995-
An open-ended folio for two solo clarinets, based on FIERCE SINGLENESS, whose score is required as well; in preparation
For saxophone of any range and two percussionists, from GULF COAST BOUND;1987
For five brass instruments (2 Trpt., Fr. Hn., Trb., Tba; set of parts $35); 1963
A folio with texts by William Carlos Williams; 1
(in preparation); 1960
(rental parts available for a fee); 1951
An open-ended folio for big band (minimum instrumentation: 3 trpt., 2 trb., 4 saxes [sop., alto, ten., bar.], elec. gtr., pno., 2 bs. gtrs., 2 perc., drum machine]; 1987The folio incorporates I6(China Jam," "Balinese Traces," l6(;a/ls 1-8,", "Dance," "Dance Sounds," -Passionate Memory, "Soliloquy," and "Gulf Coast Jam," any and all of which can be combined in any performance; 1987Source Folios of the whole
(protocol in preparation)
See organ above
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